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One memorable night, about midnight, Hughes, wearing a sports coat, tie, and tennis shoes, sat at the table. George fell ill and returned home, but Bain and the ladies stayed.
He requested Im Gonna Take A Slow Boat To China, which the group played straight away. Bain eventually came home, and in late 1945, he received a call from guitarist Dave Barbour.
He was so gracious, showing me the George Lawrence Stone finger control technique. I put in many hours every day trying to get it down, (I am still practicing mastering it! I had a lot more control with volume, and could play quietly with intensity, something that is tough for a lot of drummers. During this period, the trio played with such jazz greats as Ben Webster, Jimmy Witherspoon, and Gene Ammons. In January of 1963, he got a call from Victor Feldman who asked if he would be interested in going to Los Angeles to play a steady gig with his trio. The exposure of playing with Victor was tremendous.
Over the next 32 years they worked on many recordings, T. Miles’ group had been booked at another jazz club in L. Victor surprisingly declined, and Miles hired Herbie Hancock. He became a drum teacher at North Texas State University from 1982-84.
Bain continued to record, write, arrange, produce and for 22 years he held the guitar chair for one of the greatest television orchestras of all time The Tonight Show Band.
Through the years, Bains talent, respect, and generosity opened the doors for many other studio guitarists, arrangers, and musicians.
Barbour told Bain he was working with Tommy Dorsey at the Casino Gardens in Los Angeles, and that he was going to stay in town when the band went on the road.
Barbour arranged for Bain to sit in with the band one night and when Dorsey asked if he would like to play with the band, Bain responded with a resounding, Sure!
They worked at places like The Macambo, on the Sunset Strip and La Papillon. group in Europe with actor George Raft and singers Louise Albritton and June Clyde.